Friday, March 12, 2010

1967 - Johnny Rivers - Live at the WAGG




This is a European sampler of the Whisky A Go Go LPs. The title JOHN LEE HOOKER is a nearly 16 minutes long version of the old instrumental called - Whisky A Go Go - from the first Whisky LP. But on this title Johnny Rivers is singing a few words about John Lee Hooker. This song was a megahit in the Discotheques in Germany and France.

Thursday, March 4, 2010

Johnny Rivers in Brazil - May 07, 2010

Johnny Rivers

Única Apresentação



Cantor, compositor, guitarrista e produtor norte-americano interpreta seus clássicos e as novas do CD Shadows on the Moon, lançado no ano passado

O público pediu e ele está de volta! Johnny Rivers recebe os aplausos de seus súditos no HSBC Brasil em única apresentação no dia 7 de maio.

São mais de 25 milhões de discos vendidos, 9 canções entre as 10 melhores da Billboard...; Do You Wanna Dance, Secret Agent Man, Poor Side of Town, Baby I need Your Lovin, The Tracks of My Tears, Summer Rain, Midnight Special, Mountain of Love, Rockin Pneumonia, Memphis Tennessee, Slow Dancin, It's Too Late… estas e as novas de Shadows on the Moon, disco lançado no ano passado, estarão presentes no set list.

· Johnny Rivers

Johnny Ramistella canta e toca guitarra desde que se conhece por gente. Nascido em Nova York em 7 de novembro de 1942, foi criado em Baton Rouge, Louisiana. Após completar o ginásio, aos 17 anos, foi morar em Nashville, onde conheceu Roger Miller, também, então, desconhecido. Eles se tornaram amigos e ambos começaram a trabalhar na composição de músicas para artistas famosos como Elvis Presley e Johny Cash.

Em 1960 Johnny foi para Los Angeles e depois passou a vender a incrível soma de mais 25 milhões de discos, tendo 9 canções entre as 10 melhores da Billboard e 17 entre as 40 melhores, colocando-se ao lado de Frank Sinatra e Elvis Presley nos Estados Unidos, tanto em popularidade como em vendagem de discos.

A magia de Johnny Rivers se espalhou pelo mundo e a indústria internacional do disco acolheu seu trabalho com a mesma intensidade do boom de Los Angeles e ajudaram a tornar seus hits inesquecíveis, passando de geração a geração.

Rivers foi o primeiro artista internacional a tocar no Canecão no Rio de Janeiro, em dezembro de 1967. Em São Paulo, reuniu 60 mil pessoas no Parque do Ibirapuera, em 1998 em um show gratuito. Em 2008 voltou ao Brasil para apresentações no Rio de Janeiro, Porto Alegre, Curitiba, Vitória, Belo Horizonte e São Paulo, onde teve que fazer dois shows extras.

· Mais Informações: http://www.johnnyrivers.com/jr/shadows_on_the_moon/index.html
 
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Sunday, February 28, 2010

JR Rockin Rivers - Rare Canadian album

Released in January, 1974 on U/A in Canada titled "Rockin' Rivers".

It contains tracks not on any other JR's album such as his self-written "It's All Been Said", Michael Georgiades "Easily Madrid", Mose Allison's "Take It Easy", John Fogerty's "Night Ride", Chuck Berry's "Bye Bye Johnny", and a great country tune called "Grand Old Opry". There's a moving rocker called "It Came Out of the Sky" and the ballad "Don't Go to Strangers". The album was produced by Johnny and contains great tracks, ten in all.





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IT'S ALL BEEN SAID
EASILY MADRID
RAIN SONG
GRAND OLE OPRY
TAKE IT EASY
NIGHT RIDE
PARCHMAN FARM
IT CAME OUT OF THE SKY
DON'T GO TO STRANGERS
BYE BYE JOHNNY

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My dear friend José Henrique, from Brazil, also sent me the following infos about this album:
  • There were 3 editions of "Rockin' Rivers": Canada, France and Germany;
  • It was one of the latest Johnny's albums released by U.A.;
  • There is also a PS/45 compact made in Spain (picture below) produced with the same sleeve as this one. The songs are: "Bye Bye Johnny b/w Parchman Farm" (nº 13977 UA). It's a very rare stuff.


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  • Special Thanks to my dear Friends Ann and José!!! You are great fans and great friends!!
  • Special thanks to my dear friends and super JR's fans: Scott and Paul. Scott sent me these great pictures from CA album and Paul sent me the infos about that album.
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Sunday, February 21, 2010

Rare Advert STANDUP Blue Suede Shoes


Original and very Clean Cartoon/ Illustrated Rock and Roll Memory Item!

Drawn by Peter Palombi...Fun "Blue Suede Shoes" Rock and Roll Fantasy!
 
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Wednesday, February 17, 2010

JR - Concert Schedule

http://www.pollstar.com/resultsArtist.aspx?ID=44366&SortBy=Date&SearchBy=JOhnny%20Rivers

  • Sat 03/20/10 Red Wing, MN Treasure Island Resort & Casino
  • Sat 04/10/10 Las Vegas, NV Cannery Casino Hotel
  • Sat 04/17/10 Baton Rouge, LA High School
  • Sat 04/24/10 Manistee, MI Little River Casino Resort
  • Sat 06/12/10 Fayetteville, GA Villages Amphitheater
  • Sun 07/04/10 Springfield, OR Island Park
  • Tue 08/17/10 Airway Heights, WA Northern Quest Casino
  • Sat 04/09/11 Wisconsin Rapids, WI Performing Arts Center Of Wisconsin

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Johnny Rivers and Tommy at the first Jet-FLI Spectacular - 1965

2001


  •  Thank you so much for sending me this pic, Zé!

JOHNNY RIVERS Rewind - Tape Stereo


  • Special Thanks to Zé Henrique! Tks Zé!!!

Wednesday, February 3, 2010

Red Robinson around the clock: Vancouver rock 'n' roll legacy heads to Hall of Fame

Canwest News Service


VANCOUVER — Red Robinson has been interviewing rock-and-rollers since 1954. Elvis Presley, the Beatles, Buddy Holly, Gene Vincent, Eddie Cochran, Sam Cooke, Vancouver's legendary DJ talked to them all.

He kept tapes of all his interviews. A couple of years ago, he had them digitized. Last week, he donated them to the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio.

"Having Red's material, all these interviews, is just invaluable," said Hall of Fame president Terry Stewart, who flew to Vancouver to pick up the collection.

"There are interviews here with artists that nobody else has. Period. End of story. For us to have access to them is just incredible."

Robinson's collection is quite historic, because Red was one of the first rock and roll DJs in North America.

"Basically [there were] one or two in Canada, maybe half a dozen in America, something like that," Stewart said.

"There's another thing that's different about Red, aside from keeping the stuff: he kept doing it. There's only one or two guys [like that]."

Sadly, most interviews from rock and roll's early days have disappeared.

"They were taped over, thrown away, put in the wrong room with the wrong temperature," Stewart said.

"[They] evaporated, are just gone."

The Rock and Roll Hall of Fame's goal is "to preserve this art form in every way possible, and make it accessible to people to do research." So when Stewart found out about Robinson's archive, he asked Red for it.

Robinson would love to have kept it in Canada, but there was no place for it to go.

"There is no repository for my stuff, or Bruce Allen's, or Bryan Adams', or anybody," Robinson said. "It's a disgrace."

So he decided to give to the Rock Hall.

"My kids don't want the stuff, they can't relate to it," said Robinson, 72, who has been a member of the Rock and Roll Hall of Fame since 1994.

"But they're historical documents. If I pack it up and do the glory glory hallelujah thing, it should live on, because it's a piece of history."

The interviews will be part of a new library and archive the Hall of Fame is opening this fall, in a separate facility from the main museum. The library and archive's director Andy Leach said it has some amazing stuff.

"I had four interviews for the job," said Leach, 36.

"On the first or second one they took me into the vault and I saw things like the lyrics to In My Life, hand-written by John Lennon. It's stunning. You get choked up.

"If [things like this are on display] in the museum, it's really nice to be shoulder to shoulder with other fans, it's kind of a community of people. It's everybody's history, and it gets to you. It's really cool."

The Rock and Roll Hall of Fame was conceived in 1983 and started electing members in 1986, but the actual building wasn't opened until 1995. The first couple of years of inductees concentrated on early rock and rollers such as Elvis, Buddy Holly and Chuck Berry. The Beatles and Bob Dylan were elected in 1988, the Rolling Stones a year later.

Over the years, the list of inductees has grown quite broad. Nobody has ever called Madonna a rock and roller, but she was elected in 2008. Swedish pop sensations Abba made the list this year.

This did not please some people.

"One issue right now that I'm dealing with is, people don't understand how Abba can be inducted," said Stewart, 64.

"I explain to them that Abba doesn't come out of the Gershwin/Irving Berlin songbook, they come out of the Elvis Presley rock and roll songbook. But they are translated through Swedish, and it's 40 years later.

"But people don't want to accept that. They ask Why didn't Kiss get in?' Well, they didn't get the votes. There's 600 voters. I'm the one that nominates [Kiss]. Every year I nominate them. I did comic books with Gene Simmons [Stewart used to run Marvel comics]. Kiss is one of those groups I think influentially deserves to be in.

"The basis for induction is impact, influence and innovation. All I say when I nominate Kiss is, This is a band that caused more kids to pick up a guitar in the last 30 or 40 years probably than any other band.' End of story."

Voting is conducted by the 400 living members of the hall and 200 people from the music industry (record company types, managers, writers, DJs, etc.). The only criteria is that your first record has to be 25 years old. A 35-person board headed by Bruce Springsteen's manager Jon Landau sifts through hundreds of names before deciding what acts to vote on. Once you get on the ballot, you need 50 per cent to get in.

"That's much more inclusive than sports hall of fames, which are typically 75 per cent," Stewart said.

"That's a number that's really hard to reach, which is why many years in the sports hall of fames, you don't have anybody get in."

Any rock fan will have favourites they feel should be inthe Guess Who, Steve Miller, Gram Parsons, Arthur Alexander, the Smiths, the Replacements, Dave Edmunds, Nick Lowe and Tom Waits spring to mind. Many fans launch petitions, although Stewart says they have no effect on voters.

" I had a woman come to me with 130,000 signatures that she got for Johnny Rivers that she got by sitting out at a rest stop at the Ohio Turnpike," Stewart said.

"And she lives in her car. I'm not kidding. We had Johnny Rivers coming in to do a show, and I invited her, and she was too embarrassed to come because she lives in her car."

As president, Stewart has learned to deal with it.

"The issue I face is that everybody filters who should be in and who shouldn't be in by who they like," Stewart said.

"I get 5,000 to 10,000 e-mails a year that are Dear moron,' or Dear idiot.' I try to respond to 99 per cent of them, [even though] they're pretty vehement and vitriolic. I say to them Okay Mr. Smarty Pants, if you're so wise about what rock and roll is, give me five artists that have to be inducted that you hate.' And nobody has ever ever answered that, because they can't get past what they like."

 
FROM:  http://www.kelowna.com/2010/02/01/red-robinson-around-the-clock-vancouver-rock-n-roll-legacy-heads-to-hall-of-fame/
 
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Sunday, January 31, 2010

Johnny Rivers at Jazz Fest 2007

Born in New York and raised in Baton Rouge, Louisiana, Johnny Rivers reminded the crowd at the New Orleans Jazz & Heritage Festival on April 28, 2007 that he was home.


Saturday, January 30, 2010

JR’s Vietnam Shows

Phu Bai and Chu Lai, February 22, 1966


Johnny Rivers opens the show for Ann-Margret at Phu Bai.



Fans clamor for Johnny Rivers' autograph backstage. Rivers had a big hit with "Poor Side of Town" in 1966, the year of this show in Vietnam.

Members of the band for Ann-Margret's 1966 Vietnam shows with two Vietnamese women at Phy Bai. At left is bassist Chuck Day; at right is guitarist Johnny Rivers. Next to Rivers is drummer Mickey Jones, who later that year toured Europe with Bob Dylan, was Kenny Rogers' drummer, and more recently had a regular role on the TV sitcom "Home Improvement."


Johnny Rivers signs an autograph for an MP at Phu Bai.



Guitarist Johnny Rivers and bassist Chuck Day play as Ann-Margret pauses between songs at Phu Bai.



A standard feature of Ann-Margret's shows was having servicemembers join her on stage for a dance. In the background is guitarist Johnny Rivers, who opened the show.

 
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JR at Jay Michael Concert - Poster 2007

Wednesday, January 27, 2010

Villages announces 2010 series - with JR...

On June 12, The Villages welcome back singer/songwriter Johnny Rivers. Johnny was all over the airwaves in the early and mid-60's, and came back to score a few more hits in the 70's. He has left a significant mark on early rock and roll history with the songs he wrote and performed. He will treat concert goers to a selection of his hits that include "Secret Agent Man", "Maybelline', and "Poor Side of Town."


Taken from: http://www.fayettedailynews.com/article.php?id_news=4969

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Sunday, January 24, 2010

Johnny Rivers' Shadows on the Moon Review


There are voices that have followed us through our lives. We've heard them on our car radios as we've raced through the decades of our childhood. They have played like a soundtrack for our lives through the beaches, valleys, deserts and prairie roads we've traveled on our way to our present. Johnny Rivers carries such a voice. So much so, when he sings, we sit up and listen. We take notice because of our common history. When he first emerged in the mid-sixties at his now legendary engagements and live recordings at the Whiskey A-Go-Go, he created a tour de force that helped to break down the wall between pop and folk music. With recordings like "Where Have All The Flowers Gone," "Midnight Special" and "Memphis" he did what it took The Byrds five people to do; bring folk-rock to the musical stages of L.A. in the mid-sixties. His music played against the backdrop of merging of folk, rock and blues during the era of The Summer of Love when you were as likely to see Lightening Hopkins and Dave Van Ronk in Hollywood as you were to see The Doors or Otis Redding. Rivers absorbed these diverse forms of roots music into his own hybrid style which has carried his own folk-influenced trademark blues-rock style years beyond his last chart success.

For the last 25 years he's been underrated and largely unnoticed by the music industry he helped to establish back in the early 60's. So Rivers went his own way, recording blues, jamming in Memphis, reviving sometimes lost musical forms like blue-eyed soul, rockabilly, and country blues. He has remained a concert draw touring around the world to capacity audiences.

His new release, Shadows of the Moon went quietly into release in September. The CD brings Rivers to a place of textured folk/acoustic, world music, melodic jazz strains and straightforward lyric driven songs.

This is an album of dimension and vision lacking in much of today's mainstream music. Through every moment of this musical journey--and 'journey' is a much overused term today, to be sure--it is Rivers' voice that leads the way. With a still youthful and assured quality in his voice, he provides the musical avenue we walk with a set of well-crafted songs uncommon to mainstream records today. There is a clear and soulful mandolin, played by Rivers himself, as well as bass fiddles, steel guitars, dobro and drums which lay levels and texture of pure acoustic music.

As well-crafted as the music is, Shadows on the Moon is matched by strong material from songwriters like Michael Georgiades(former partner of Bernie Leadon of The Eagles), Jack Tempchin("Peaceful," "Easy Feeling," "Slow Dancin Swaying to the Music"), and Jimmy Webb(well, you know Jimmy Webb-I hope). The first six songs of the album are penned by Georgeiades, a long underrated songwriter. These songs add a concept of cloaked messages about the passage of a generation and the pull toward spirituality. Most significant of these songs are "Hard Heart," "Somebody to Love" and the title track "Shadows on the Moon." "Hard Heart" powerfully addresses the excesses and insensitivity of the political, ethical and moral shortcomings of the Bush years in a clever way cloaked in a love song. "Somebody to Love" is a prayer for the need for love in the world.

The last six songs focus on the personal journey through love, renewal and redemption. Songs like "Walk in the Rain" and "Beautiful World" speak of daily personal joys that become more precious as we grow older. The beauty of songs like "Slips Away" and "Where Words End" by Jimmy Webb bring home the answer to the problems posed on the first six songs sometimes dealing with the disillusionment of the past. These songs point to the need to come home to our own lives, aside from a collective ideal, to find virtue and fulfillment there. A bonus track "The American Dream," adds humor to the album and gives the Johnny listener a lighter look at the recent economic crisis.

While this album brings together a diversity of writing styles, instrumentation which clearly produces a feel of modern folk-rock, it never loses it's pop sensibility of appealing arrangements and accessible production which can play as just a feel good listen or allow a deeper listen into the insights of the writing and the soulful vocal Johnny Rivers brings to each song in his own unique way.

Finally, driving force and cohesive thread that runs through the album's concept, material and music is Rivers' distinct, familiar voice calling our memories back to the magic times we lived through but never allowing us the comfort of nostalgia. Instead, through some fine acoustic music, skillful songwriting, and that one-of-a kind voice, challenges us to find our life and passion in today's turbulent world.





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This is JR!







"LIFE IS A GAME"


"CLOSER TO YOU"


"BROWN EYED GIRL"



Hey where did we go,
Days when the rains came
Down in the hollow,
Playin' a new game,
Laughing and a running
Skipping and a jumping
In the misty morning fog with
Our hearts a thumpin' and you
My brown eyed girl,
Your my brown eyed girl.




Whatever happened
To Tuesday and so slow
Going down the old mine
With a transistor radio
Standing in the sunlight laughing,
Hiding behind a rainbow's wall,
Slipping and sliding
All along the water fall, with you
My brown eyed girl,
Your my brown eyed girl.




Do you remember when we used to sing,
Sha la la la la la la la la la la te da



So hard to find my way,
Now that I'm out on my own.
I saw you just the other day,
My how you have grown,
Cast my memory back there, Lord
Sometime I'm overcome thinking 'bout
Making love in the green grass
Behind the stadium with you
My brown eyed girl
Your my brown eyed girl

Do you remember when we used to sing
Sha la la la la la la la la la la te da.




http://www.youtube.com/watch?v=9_uxJoVgiI4
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Saturday, January 2, 2010

March 9, 1966



Andersen Air Force Base, Guam, March 9, 1966: On their way to Vietnam, where they were to spend 15 days performing for the troops, singer-actress Ann-Margret and her band got a closeup look at a B-52 bomber on an Andersen AFB runway. From left to right are Charles Day, Ann-Margret, Johnny Rivers and Mickey Jones. As they were visiting, the entertainers watched as a B-52 returning from a mission over Vietnam made a successful landing in spite of a faulty right rear landing gear.
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JOHNNY RIVERS The singer, not the Song



http://www.whiskyagogo.com/articles/609999.html

"JOHNNY RIVERS The singer, not the song" - A Biography at Whisky Archives!
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"Maybelline" & "Memphis" (1964)